Srikanth (2024)
May 11, 2024

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“Srikanth,” a Hindi biographical film released in 2024, directed by Tushar Hiranandani and starring Rajkummar Rao, tells the inspiring story of Srikanth Bolla, a visually impaired industrialist who defied all odds to establish Bollant Industries. Despite its underwhelming performance at the box office, where it grossed ₹62.92 crore worldwide against expectations of a broader commercial success, the film has garnered significant praise for its heartfelt narrative, stellar performances, and its portrayal of an underdog triumphing over adversity.
The movie’s strength lies in its refusal to lean into melodrama or pity, instead presenting Srikanth Bolla’s journey with honesty and dignity. Rajkummar Rao delivers a career-defining performance, embodying the resilience, wit, and determination of a man who refuses to let his disability define him. His portrayal is nuanced—capturing Srikanth’s ambition, occasional arrogance, and eventual redemption with a finesse that elevates the film beyond typical biopic tropes. Critics have lauded Rao for shedding vanity and fully immersing himself in the role, making Srikanth’s mantra, “Sri Can,” resonate with authenticity and inspiration.
The supporting cast, including Jyothika as Srikanth’s steadfast teacher Devika and Sharad Kelkar as his business partner Ravi, adds emotional depth to the story. Jyothika shines as a mentor who balances encouragement with tough love, while Kelkar brings gravitas to a character pivotal to Srikanth’s entrepreneurial success. Alaya F, as Srikanth’s love interest Swathi, is charming, though her role feels underutilized—a minor critique in an otherwise well-acted film.
The narrative shines as an underdog story, tracing Srikanth’s path from a small village in Andhra Pradesh, where he was nearly buried alive at birth due to his blindness, to becoming the first visually impaired Indian student at MIT and founding a company that empowers the differently-abled. The film doesn’t shy away from showing his flaws—his ego and overconfidence at times threaten his relationships and business—but this humanization only makes his achievements more relatable and inspiring. It’s a refreshing take on the disability narrative, emphasizing vision over sight and potential over limitation.
Critically, “Srikanth” has been celebrated for its positive portrayal of disability without reducing it to a gimmick. Reviews highlight its ability to inspire, with many calling it a “heartwarming celebration” of perseverance and equality. The Times of India gave it 4 stars, noting its “refreshingly honest portrayal that celebrates potential over glorification,” while Bollywood Hungama praised Rao’s “award-winning performance” in an “entertaining and inspiring tale.” Even critics who pointed out its episodic first half or reliance on clichéd biopic beats acknowledged its emotional impact and Rao’s brilliance.
Though it didn’t set the box office ablaze, “Srikanth” stands out as a film that deserves applause for its execution and message. It’s a testament to the power of storytelling that uplifts without preaching, proving that a film’s worth isn’t solely measured by ticket sales but by the hearts it touches and the conversations it sparks. For anyone seeking a story of grit, humanity, and triumph, “Srikanth” is a must-watch—a cinematic gem that shines despite its commercial shadows.
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